Francesco Pallante Photography

Francesco Pallante Photography

 http://www.flickr.com/photos/isco72/

Francesco Pallante 001

Francesco Pallante 002

Francesco Pallante 003

Francesco Pallante 004

Francesco Pallante 005

Francesco Pallante 006

Francesco Pallante 007

Francesco Pallante 008

Francesco Pallante 009

Francesco Pallante 010

Francesco Pallante 011

Francesco Pallante 012

Francesco Pallante 013

Francesco Pallante 015

Francesco Pallante 014

 

 

What kind of equipment (camera body, lens, filters, flash, tripod, cleaning equipment other) do you use?

The thing that fascinates me less of the photography are the technical issues: I’m interested in results, not in instruments! For this (and – I admit – for the money …) I’ve never had cameras beautiful and sophisticated.

I’ve always used a very simple equipment: I started shooting with a digital compact camera from Kodak (the Easyshare C330); then I moved to a bridge of Panasonic (the Lumix DMC FZ-18).

If I had to change my equipment, I would choose the most advanced version of the camera that I have (currently the Lumix DMC FZ-200). If I were to buy a DSLR, I would choose the least expensive among the full-frame (currently the Nikon D600).

 

What do you like and dislike about your equipment, specially your camera, and how would you improve it?

The Panasonic Lumix DMC FZ-18 has two major advantages: the very limited space and a powerful telephoto lens. The two features are mutually reinforcing, because to have the same flexibility with a Reflex you should carry a very heavy bag.

The main drawback is the low performance in low light and the absence of a true wide angle.

 

What is your favourite lens, and why?

Consider the previous answers, I can not answer this question.

 

When you travel, what is in your essential photographic kit bag?

When I travel I prefer to be light and mobile: this is, for me, the main reason (besides the economic one) to choose a bridge instead of a DSLR. Indeed, sometimes even my camera appears to be too cumbersome and I think I should replace it with a compact high-end …

 

What kind of software/tools do you use for post-processing, if any?

I am not opposed to post-production. As I said, I’m interested in the result and I think that everything is permissible to achieve it.

For my post-production I use Photoshop and The Gimp: the first one in particular to address the quality of light and color, the second for the correction of lines (essential for those – like me – does a lot of photos of geometric architecture and doesn’t use a tilt!)

 

How long have you been taking photographs? How do you find inspiration? How do you take your pictures?

I take pictures from less than ten years, as I have already said my first car was a digital compact camera.

I prefer shooting in urban environments, especially in large, modern city. I love lines, curves, repetitions, reflections, details, color games, … If possible, to complete the composition I try to insert an element of rupture (a tree, a person, a colored element, an irregular reflection, …).

For shooting conditions, the ideal solution for me is to go for a walk alone, without haste, free to be inspired. I happened to find an interesting topic and remain stationary even an entire afternoon waiting the right situation (a movement of light or the passage of the right person). In many other situations, however, I made beautiful photos shooting in a hurry and in suboptimal conditions: these are the times when, at home with calm, the photo editing software is most useful!

 

Which style of photography do you like the most, and why?

As I said, my favorite subjects are urban geometric landscapes.

In particular, I am very happy when I manage to isolate, in a chaotic and multifaceted situation, some essential elements through which I can create an image that few are able to see otherwise. What is left out of a photograph is just as important as what is put inside and I believe that the secret of a good photo is in this work of elimination.

 

What goal are you working towards within your photography and when will you know you have reached it?

Difficult question. For those – like me – is a photographer for pleasure, I think that the main reason can only be the pursuit of satisfaction of his aesthetic taste. I like to look at my pictures, I like to watch them on a screen, but most of all I like to print them and, in some cases, hang them in my home or give them to friends who appreciate. When I had the opportunity to do some exhibitions (very few…), beyond the satisfaction in itself I was happy to see so many of my works printed and well presented.

I would say that the result is achieved when, even after a long time, I go back to review a photo: is the evidence that it came into my personal portfolio.

 

Looking at your own work, which piece is your favourite? Why? Please provide a link to the picture.

Hard to say which is my favorite picture.

This (La Grande Arche: http://www.flickr.com/photos/isco72/2464056384/) was very appreciated on Flickr, but in fact is not very original (there are many like this on the internet, even though almost none of them is very geometric like mine!).

This (Tour Moretti n. 1: http://www.flickr.com/photos/isco72/6140015750/) has many features that satisfy me: few elements of the composition, geometry, colors and irregular reflections breaking the order.

Of this (Balconi in controluce: http://www.flickr.com/photos/isco72/3178924169/) I like the extraction of detail from the context (which makes difficult to recognize at first glance the subject).

 

Does your work fit into any one or more distinct genres (nature, landscape, long-exposure, black-and-white, infra-red, urban, artistic, macro, vintage, vernacular, social, street)? If other, please specify.

My genre is the urban landscapes.

 

Are there any photography websites that you visit regularly?

Flickr has long been a good source of inspiration (of course: as long as you know how to look wisely between the mass of photos of children, pets and flowers of your garden …). With the advent of smartphones it seems to me, however, that the picture quality will be further thinned.

The quality is superior in 500px. But the best thing are the sites of the individual photographers that I like.

 

What is the one most important lesson that you have learned since you started taking photographs?

How important are the others. If I was able to learn something and to have a personal style is thanks to the huge amount of photos of others that I’ve seen, to the advices and – most important – the slating received from photographers better than me.

 

And finally, what other interesting photographers would you like to see in this blog?

Inevitably, the photographers that most impress me are the ones that are closest to my style: John Kosmopoulos, Julia Anna Gospodarou, my dear Flickr friend Flohh – Florence Huschelrath, Angie McMonigal.

Also very nice are the urban shots of Rui Palha and the minimalism of Gavin Dunbar and Jeff Gaydash.

 

 

 

 


Tony Cole Photography

Tony Cole Photography

http://www.flickr.com/photos/yorktone/

Tony Cole 001

Tony Cole 002

Tony Cole 003

Tony Cole 004

Tony Cole 005

Tony Cole 006

Tony Cole 007

Tony Cole 008

Tony Cole 009

Tony Cole 010

Tony Cole 011

Tony Cole 012

Tony Cole 013

Tony Cole 014

 

 

 

What kind of equipment (camera body, lens, filters, flash, tripod, cleaning equipment other) do you use?

The majority of my photographs are taken with a Panasonic Lumix G3 though I do also carry a compact Lumix TZ6 which is pocketable and goes everywhere with me. I don’t own any other camera kit.
What do you like and dislike about your equipment, specially your camera, and how would you improve it?

The G3 is great, small, light, discreet and the flip-out screen means that I can shoot quickly at the low angles I prefer . Overall though, I don’t really consider the camera equipment particularly important.

 

 

What is your favourite lens, and why?

My favourite lens is my only lens! The kit 14-42 supplied with the G3. Again, for me, the equipment is secondary to making the photograph.

 

 

When you travel, what is in your essential photographic kit bag?

Sticking plasters or Band-aids! I walk miles and miles to get street-shots and the avoidance of blisters is very important!

 

 

What kind of software/tools do you use for post-processing, if any?

There are enough free editing tools online to suit my needs. I tend only to crop and straighten with a bit of ‘burn’ every now and then. Basic stuff. Picmonkey is great ( http://www.picmonkey.com/ ). As you can probably gather I’m not particularly concerned with the technical side of photography.

 

 

How long have you been taking photographs? How do you find inspiration? How do you take your pictures?

I only began to make photographs of intentional and chosen subjects about 18 months ago. People fascinate me. Whenever I can I grab my camera and start walking the streets looking for those people just on the edges of crowds or standing aside from everyone else, the people who don’t quite fit the mould of the society the majority of us comfortably and unconsciously inhabit. In general I’m inspired by books, song-lyrics and poetry. The scenes I see and try to capture are all filtered through the poems of Philip Larkin or the books of George Orwell or Primo Levi or the lyrics of Morrissey or a hundred other influences that shape everyone’s outlook on life.

 

 

Which style of photography do you like the most, and why?

Street-photography. I don’t think there are more interesting subjects than human beings simply going about their lives – however mundane or ordinary, the variety is infinite and ever-changing.
What goal are you working towards within your photography and when will you know you have reached it?

I don’t have a goal.

 


Looking at your own work, which piece is your favourite? Why? Please provide a link to the picture.

This is the photograph I think best sums up what interests me and motivates me http://www.flickr.com/photos/yorktone/8557036377/ “the value of culture” – taken in Euston station, London. Photographing homeless people is important to me – though many viewers express understandable reservations about it – and it’s a source of endless inconclusive ethical debate among photographers. I think it’s important that there is always a broader context to the photograph, recording or reflecting in some small way the society we share and our collective values and culture. Why are some people pushed right to the edges of our communities? Why does a man with no soles in his shoes still read a novel? Lots of questions triggered by the image. No answers unfortunately though.
Does your work fit into any one or more distinct genres (nature, landscape, long-exposure, black-and-white, infra-red, urban, artistic, macro, vintage, vernacular, social, street)? If other, please specify.

I consider the majority of my photographs are street, though that in itself can cover a multitude of variations and types. I’d certainly be happy if someone said “Tony Cole is a street-photographer” – maybe I do have a goal after all?

 

 


Are there any photography websites that you visit regularly?

http://www.americansuburbx.com/ and http://www.magnumphotos.com/

 

 

What is the one most important lesson that you have learned since you started taking photographs?

Photographs don’t have to be spectacular or technically perfect to be interesting – “Nothing, like something, happens anywhere” as Philip Larkin memorably noted.

 

 

And finally, what other interesting photographers would you like to see in this blog?

I find this guy’s street portraits very interesting – http://www.flickr.com/photos/poppellus


Patty Maher Photography

Patty Maher Photography    

http://www.pattymaher.com/

http://www.flickr.com/photos/closetartist/

https://www.facebook.com/pattymaherphotography

 

Patty Maher 001

Patty Maher 002

Patty Maher 003

Patty Maher 004

Patty Maher 005

Patty Maher 006

Patty Maher 007

Patty Maher 008

Patty Maher 009

Patty Maher 010

Patty Maher 011

Patty Maher 012

Patty Maher 013

Patty Maher 014

 

What kind of equipment (camera body, lens, filters, flash, tripod, cleaning equipment other) do you use?

 

I shoot with a Canon 5D Mark III and use one of a few different lenses: 85mm 1.2, 50mm 1.2 or 24-70 2.8. My tripod is a Manfrotto. I also use a wireless remote.

 

 


What do you like and dislike about your equipment, specially your camera, and how would you improve it?

 

I actually really love all my equipment. 

 

 


What is your favourite lens, and why?

 

It really depends on what I’m shooting. If I’m doing a portrait shot and have enough space nothing beats my 85mm (it has a bit of zoom), but recently I have been finding that the flexibility of the 24-70 is invaluable…most specifically when I want to include more background.

 

 


When you travel, what is in your essential photographic kit bag?

 

My camera and lenses, a lens cloth, my remote and usually a wig.

 

 


What kind of software/tools do you use for post-processing, if any?

 

I use photoshop CS6 and Lightroom.

 

 


How long have you been taking photographs? How do you find inspiration? How do you take your pictures?

 

I have been taking photos for just over 3 years now. I find inspiration pretty much everywhere – in books, songs, landscapes, art, and from other photographers. I generally just go out to a location, set up my camera on a tripod and start shooting. Sometimes I have a very clear idea of what I want to shoot, sometimes I just wing it. Both have their merits.  I tend to do a lot of burst shooting because I like to have the feeling of movement in my photos.

 

 

Which style of photography do you like the most, and why?

 

I like a lot of different styles of photography – far more than just what I do in my own photos. If it’s well done I probably like it – whether it is a simple macro shot or a highly photoshopped surreal photo.

 

 

What goal are you working towards within your photography and when will you know you have reached it?

 

I think the most important goal I have in photography is to keep being inspired and challenged by it. I also want to take photos that mean something – both to me and to other people. The beauty of these goals is that they are always in front of you. Reaching goals can be a stopper, in my opinion.

 

 


Looking at your own work, which piece is your favourite? Why? Please provide a link to the picture.

 

My favourites change fairly regularly, but I think my favourite right now is this photo: http://www.flickr.com/photos/closetartist/9253072600/
I like it because it’s simple and reflects something of how I was feeling at that time. I also like the location – those fields have been ploughed now, so if I’d waited any longer I wouldn’t have been able to capture it quite in that way.  I like that I was able to capture a moment in time that has now moved on.

 

 

Does your work fit into any one or more distinct genres (nature, landscape, long-exposure, black-and-white, infra-red, urban, artistic, macro, vintage, vernacular, social, street)? If other, please specify.

 

Fine art, conceptual for most of my personal work, but I also will shoot nature, landscapes and lately I’ve grown a passion for wedding photography.

 

 


Are there any photography websites that you visit regularly?

 

I’m pretty much a regular on flickr.

 

 


What is the one most important lesson that you have learned since you started taking photographs?

 

Never give up. You can do better if you decide to. Maybe those are two lessons…they’re both important though.

 

 


And finally, what other interesting photographers would you like to see in this blog?

 

Too many to mention there are a lot of amazing photographers out there.